Showing posts with label Moonrise Kingdom. Show all posts
Showing posts with label Moonrise Kingdom. Show all posts

Wednesday, December 26, 2012

Being Suzy Bishop

For Wes Anderson fans, confirm your identity as one of his movie characters.  An amusing parlor game for Boxing Day. 
Kara Howard as Suzy Bishop in Wes Anderson's MOONRISE KINGDOM.
The choices offered as you follow the limbs of the family tree may be clear-cut or leave you feeling a bit ambivalent.  One of mine, "Does your family trust you?" had to be answered, "...some do, likely some don't."  We make our best guess.  Which means, I am Suzy Bishop.  This is Wes Anderson.  There are no truly undesirable characters.

Self-awareness, a actual knowing-without-prejudice of one's true self, is about as predictable as being able to say how many jelly beans are in the jar for the candy store contest.  Early models of chronic parental disappointment tend to set us up for continuing that low-hearted feeling when no one else is around to berate us.  Maybe I've had this thought before, maybe it comes fresh today, an ingenue of an image, optimistic and full of unconsidered possibility:  How can we be doing it wrong when there is no way to know the full measure of the assignment?

I believe we each have an assignment, which you have likely read here many times before.  I trust that with each go-round of me as I have thought me to be versus a me that is more accepting, more forgiving, less invested in how most of what I am doesn't match anything known or seen in the neighborhood, that I get closer to a true center.  That the process seems to require repeating over and over, but as a spiral not a circle, accounts for fatigue, occasional disbelief and the need to rest, frequently.  I am unable to stop asking questions.  I long for instruments, calibrations, that would help my study; all I have is intuition.  There is no proof.  For today, all evidence to the contrary, I will allow that I am fulfilling my destiny, bringing my unique gifts as was intended, being.  This is not an easy world in which to claim simply being as an occupation.  Being, and being Suzy Bishop.

Sunday, November 25, 2012

If Wes Anderson ran the world, with help from BoBo BaBushka

For Rebecca
Characters from four Wes Anderson films, as interpreted by artist BoBo BaBushka.
The very last set of MOONRISE KINGDOM dolls is available, at least for today, at
the Pygmy Hippo Shoppe in Los Angeles.

Wednesday, August 8, 2012

From a distance

Photo: Wes Anderson's "Moonrise Kingdom."
When we stand too close, our lives become mired in misapprehensions.  The infected tooth, the inflexible joints, the hyper-awareness of our own disordered histories lead us to mistake small, self-absorbed trifles for larger truths.  What we are meant to study and comprehend, the wise interpretation of our stories, is the result of perspective, a combination of distance, time and paying attention.

Paying attention, along with the word patience, insistent as a drum beat, seems to be part of my mandate.  One of my early rubber stamps said, " There is no substitute for paying attention."  There has been no reason to rethink that.  The art of noticing may be the result of a childhood in which my siblings and I were expected to be quiet, those years when good children were "seen and not heard."  One can fritter many hours in reverie.  I can look at the sky while the minutes evaporate when I am almost out of bed and on to the next/first indicated thing.  Noticing, however, grows in the incubator of daydreaming.  When one learns to be still, one hears more.  Voices within and without surrender their secrets as the listener merely abides.  The extent to which we are capable of being our own wise counsel cannot be guessed or gauged.

There is also an "X" factor necessary for perspective.  Whether it is the shifting of a planet or the crumbling of an ancient defense, something needs to fall and allow even one additional lumen of captured radiance,  brighter and more enduring than a struck match, light enough to read and reckon by.

Behind the battlements of most of my life, I assumed I was doing it wrong.  I knew I was doing it wrong.  Five days ago, with evidence to refute the charge, I allowed myself to consider that perhaps such a belief was untrue.  That permitted "the thin edge of the wedge" (a phrase I first encountered in novels by the Mitford Sisters) of realization:  if I had not been doing this wrong, maybe the same was true of that and multiple other examples.  When the gummy, shifting foundation upon which one has attempted to build a sturdy and resilient self is revealed as a quagmire and a lie, what was unimaginable appears suddenly possible.

As with the earlier post about misapprehensions, I am still adjusting to this revision of a core belief.  Do I take the seams in or let them out, raise or lower the hem, cut the thing to pieces for a collage and start over?

For three days and counting, Los Angeles has withered under the summer's first real heat event and I have postponed anything that isn't essential or automatic.  As a life-long denizen of this reclaimed desert, one might think I had, by now, adapted.  I have not.  Which requires waiting for the air to simmer down, the morning fog to return and sweatless nights to be the norm before I can digest (compare and contrast) a truly radical notion.  It was cooler when I started writing and I thought I was equal to this task.  Then my concentration became a crayon in the noonday sun.  I've applied for permission to postpone conclusions.  I want to know how this turns out but distant images become a distorted mirage under this hot blanket.  I can wait until the horizon clears to be sure of this.