Showing posts with label Wislawa Szymborska. Show all posts
Showing posts with label Wislawa Szymborska. Show all posts

Monday, March 30, 2015

Word of the Week - 56

 Wislawa Szymborska

Word of the Week:  POSSIBILITIES

Here, giving the broadest possible definition for this week's word, is the poem by Polish poet and translator Wislawa Szymborska (July 2, 1923–February 1, 2012). In 1996, Szymborska was awarded the Nobel Prize in Literature “for poetry that with ironic precision allows the historical and biological context to come to light in fragments of human reality.” Upon announcing the prize, the Nobel commission noted her reputation as “the Mozart of poetry” but aptly added that there is also “something of the fury of Beethoven in her creative work.”

"To me, she is nothing short of Bach, that great cosmologist of the human spirit."  (this quote from Maria Popova, creator of BRAIN PICKINGS where writer and musician Amanda Palmer may be heard reading POSSIBILITIES.)


POSSIBILITIES
I prefer movies.
I prefer cats.
I prefer the oaks along the Warta.
I prefer Dickens to Dostoyevsky.
I prefer myself liking people
to myself loving mankind.
I prefer keeping a needle and thread on hand, just in case.
I prefer the color green.
I prefer not to maintain
that reason is to blame for everything.
I prefer exceptions.
I prefer to leave early.
I prefer talking to doctors about something else.
I prefer the old fine-lined illustrations.
I prefer the absurdity of writing poems
to the absurdity of not writing poems.
I prefer, where love’s concerned, nonspecific anniversaries
that can be celebrated every day.
I prefer moralists
who promise me nothing.
I prefer cunning kindness to the over-trustful kind.
I prefer the earth in civvies.
I prefer conquered to conquering countries.
I prefer having some reservations.
I prefer the hell of chaos to the hell of order.
I prefer Grimms’ fairy tales to the newspapers’ front pages.
I prefer leaves without flowers to flowers without leaves.
I prefer dogs with uncropped tails.
I prefer light eyes, since mine are dark.
I prefer desk drawers.
I prefer many things that I haven’t mentioned here
to many things I’ve also left unsaid.
I prefer zeroes on the loose
to those lined up behind a cipher.
I prefer the time of insects to the time of stars.
I prefer to knock on wood.
I prefer not to ask how much longer and when.
I prefer keeping in mind even the possibility
that existence has its own reason for being.

Sunday, April 8, 2012

"...this must be the premiere"


We are already eight days into National Poetry Month with no time to waste.  Here is a gift sent by friend-poet Melissa Green, thank you,  by Polish writer and Nobel Prize-winner Wisława Szymborska.  It restates a theme explored in an earlier post here.  No false humility; the poets always say it best.

LIFE WHILE-YOU-WAIT

Life. While-You-Wait.
Performance without rehearsal.
Body without alterations.
Head without premeditation.

I know nothing of the role I play.
I only know it's mine, I can't exchange it.

I have to guess on the spot
just what this play's all about.

Ill-prepared for the privilege of living.
I can barely keep up with the pace that the action demands.
I improvise, although I loathe improvisation.
I trip at every step over my own ignorance.
I can't conceal my hayseed manners.
My instincts are for hammy histrionics.
Stage fright makes excuses for me, which humiliate me more.
Extenuating circumstances strike me as cruel.

Words and impulses you can't take back,
stars you'll never get counted,
your character like a raincoat you button on the run--
the pitiful results of all this unexpectedness.

If I could just rehearse one Wednesday in advance,
or repeat a single Thursday that has passed!
But here comes Friday with a script I haven't seen.
Is it fair, I ask
(my voice a little hoarse,
since I couldn't even clear my throat offstage).

You'd be wrong to think that it's just a slapdash quiz
taken in makeshift accommodations. Oh no.
I'm standing on the set and I see how strong it is.
The props are surprisingly precise.
The machine rotating the stage has been around even longer.
The farthest galaxies have been turned on.
Oh no, there's no question, this must be the premiere.
And whatever I do
will become forever what I've done.

Wisława Szymborska