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| Art by Joseph Mugnaini, illustrator of many Ray Bradbury stories. |
Word of the Week: SUMMER
The wide, free days of childhood summers glow with their own light. The sun rides higher in the sky, convincing us that sleeping in is a wasteful act, for who would choose to miss the hours of deep morning shadows, the long-absent joy of shorts?
Reading and summer remain forever paired, beginning with a weekly stack of picture books from the library, evolving to whatever we wished to sample from the family bookshelves. It was the season in which I discovered Carson McCullers and for years re-read southern writers then, aligning myself with the heat from their fiction. The temperature also matched tales from Ray Bradbury's "The Illustrated Man."
"Prologue
It was a warm afternoon in early September
when I first met the Illustrated Man. Walking along an asphalt road,
I was on the final leg of a two weeks' walking tour of Wisconsin. Late
in the afternoon I stopped, ate some pork, beans, and a doughnut, and
was preparing to stretch out and read when the Illustrated Man walked
over the hill and stood for a moment against the sky."
"...Though it was a hot late afternoon,
he wore his wool shirt buttoned tight about his neck. His sleeves were
rolled and buttoned down over his thick wrists. Perspiration was streaming
from his face, yet he made no move to open his shirt."
"...The pictures were moving, each in its turn, each for a brief minute or two. There in the moonlight, with the tiny tinkling thoughts and the distant sea voices, it seemed, each little drama was enacted. Whether it took an hour or three hours for the dramas to finish, it would be hard to say. I only know that I lay fascinated and did not move while the stars wheeled in the sky."
I doubt if statistics support my belief that there exists a time of year in which imagination grows richer, sprouts, then broadcasts its seeds which take root and repeat the process. Space and time, two Bradbury themes, describe summer as I knew it in childhood, as I know it now in retirement. I give thanks for the luxury of a wandering mind, never lost but now able to poke along unexplored paths I had to pass up when real life held me more rigidly in its grip.
"...The pictures were moving, each in its turn, each for a brief minute or two. There in the moonlight, with the tiny tinkling thoughts and the distant sea voices, it seemed, each little drama was enacted. Whether it took an hour or three hours for the dramas to finish, it would be hard to say. I only know that I lay fascinated and did not move while the stars wheeled in the sky."
I doubt if statistics support my belief that there exists a time of year in which imagination grows richer, sprouts, then broadcasts its seeds which take root and repeat the process. Space and time, two Bradbury themes, describe summer as I knew it in childhood, as I know it now in retirement. I give thanks for the luxury of a wandering mind, never lost but now able to poke along unexplored paths I had to pass up when real life held me more rigidly in its grip.



